007 No Time To Die review |  no spoiler |  stage costumes

007 No Time To Die review: Once upon a time, James Bond films were separate adventures, linked together by good or bad characters, until EON Productions wanted the Daniel Craig’s series followed a single story arc. Quantum Of Solace (2008) took place right after Casino Royale (2006), which had traced the beginning of Bond’s career as a double 0 agent.

Skyfall (2012) entered the series to reveal important aspects of Bond’s youth. Now, the 25th film in the EON series, No Time To Die, begins in the aftermath of Specter (2015), which ended with Bond and Madeleine Swann heading off aboard the Aston Martin DB5.

When Bond first appears in No Time To Die, he is with Madeleine in Matera, a rocky city in southern Italy. The narrative starts from the relationship between Bond and Madeleine and tells their love story and explores the themes that have become central in Daniel Craig’s films.

The last four films have touched on topics such as secrets, betrayal and trust which in this chapter push the narrative to its electrifying conclusion. After suffering the loss of Vesper Lynd (Eva Green) in Casino Royale, his fluctuating relationship with M and MI6, and the pain inflicted by the revelations imparted by Blofeld (Christoph Waltz), Bond took another risk, lowering guarding with Madeleine and giving herself another chance to love.

Although he is making a commitment to his relationship with Madeleine, No Time To Die begins with Bond breaking up his longest lasting relationship: his employment in MI6. Of course, things don’t always go according to plan. Bond and Madeleine end up going their separate ways. We find it five years later, in a changed world, which has gone on parallel to the entire political landscape. There is an upcoming threat involving the Specter and other outside elements, and Bond is once again called upon to help MI6 to prevent a destructive weapon from endangering the entire world.

Daniel Craig returns for the fifth and last time, to complete a journey that has presented the world with a new and modern Bond. Despite all its excellence in various fields, Craig’s Bond is not infallible. He is not the hero of myth and legend; has a lot to learn. Bond is a multifaceted hero, a man whose success is tempered by occasional failures. It is a mixture of light and dark; if she utters a concise sentence, she is often shrouded in threat.

The public has witnessed this change. He saw Bond become an agent, earn a license to kill, and pay the consequent price. He is a loner, yet he has learned to open up to people. He loved and lost. He lost Vesper Lynd. He lost M., and he brings those wounds for all to see.

“That’s how I started with Casino,” says Daniel Craig. “That’s how I defined how to play this wonderful character. I wanted Bond to look like a killer and act like a killer, because he is; that’s how it was written. But I wanted to give it a modern version ”.

His journey through Casino Royale, Quantum Of Solace, Skyfall, Specter and now No Time To Die has been constant. They have always dominated the big themes. And they continue even in this circumstance, more than ever.

“I’ve always been very happy with the way the 007 films I’ve been in have developed,” adds Craig. “They are all about relationships, and how they have affected him and changed his life. Whether it’s the villain or the people he works with, this film delves into that aspect. And the most important themes are love and trust ”.

These themes revolve around Bond’s relationship with Madeleine, forged in Specter between the snows of Austria and the heat of North Africa, and his gradual will to bring love and trust back into his life. While leaving Specter with Madeleine, Bond also left London. His time with MI6 was drawing to a close. He no longer wanted to endanger a loved one. So he withdrew.

But once Bond picks up the gauntlet, the supporting cast of the series resurfaces: Ben Whishaw returns as Q, Ralph Fiennes as M, Rory Kinnear as Tanner and Naomie Harris returns as Moneypenny and Bond is brought back to MI6, the world. that he had left behind.

007 No Time To Die review: special stage costumes

Ever since Ian Fleming dressed him in hers dark blue single-breasted suit and a four-in-hand (never Windsor) knot tie, James Bond redefined the image of the spy. Prior to 007, the secret agent archetype was wrapped in a long coat and a wide-brimmed hat.

Suttirat costume designer Anne Larlarb says: “Everyone expects the James Bond character to be the most elegant man on the planet, and an association with some brands ensues.”

According to Lashana Lynch, who plays double agent-0 Nomi, Larlarb embraces this approach wholeheartedly. “Suttirat is completely ready for collaboration. Together we planned Nomi’s costume to make her feel as spirited as possible, casual and also sexy and responsible when she’s on a mission “.

Léa Seydoux agree. “Suttirat did a great job. We wanted something simple, feminine and sophisticated for Madeleine, but not too much. And Suttirat has hit the mark “.

In fact, Larlarb’s attention to detail is immense. Describes the long conversations he had with Ralph Fiennes, for example, about how M should have buttoned his collar. “Many of M’s dresses look simple, traditional”says the Larlarb, “But we discussed how his character in this particular movie should show a new version of M”.

In addition to the heroes, Larlarb had to consider the villains, especially Bond’s latest enemy, Safin. In his opinion, the villain’s wardrobe may be more unusual, as it is not necessarily tied to pre-existing expectations. “We designed Safin’s clothing from scratch. Through a series of drawings, researches and prototypes, we were able to dress our Safin and all his henchmen “.

The the villain’s wardrobe Bond’s is often defined by the simplicity with a hint of the unusual or mysterious that Larlarb put together for Safin’s first outfit: at the beginning of the film she wears a hunter’s outfit incorporating a Noh mask.

“The thing about a Noh mask is that it’s inexpressive,” says the costume designer, “and depending on how the actor moves and what the lighting is, it can really reverberate different emotions. It can be scary, calm, or aggressive. That’s exactly how we wanted Safin to be ”.

Of course, when it comes to wardrobes, no collaboration has been more important than that between Larlarb and Daniel Craig. “We made sure Bond was tied to his legacy in general, and then projected it into the future”. James Bond retires from work at some point in the narrative, and Larlarb has had to think about how to dress Bond when he is no longer a member of Her Majesty’s Secret Service.

“We talked about the fact that he needed to feel like a completely different Bond,” says Larlarb. “A Bond that you do not recognize, a Bond that does not necessarily dress as expected, fully and tailor-made. It took a relaxed atmosphere around him. He needed to be integrated into his environment, but also to stand out. So, there were these two opposite concepts. Fortunately, everything you put on Daniel fits him well, so we just had to find the pieces you wouldn’t necessarily expect Bond to wear in his London life, or on the international stage. Away from the serve, Bond’s style had to be natural, unplanned, without too many details, ”says Larlarb,“ and because he was in a hot tropical country, he had to wear simple clothes, but still fit to show off that gorgeous physique. ”

The highlight of Bond’s wardrobe is, of course, hers smoking, which in No Time To Die is made by Tom Ford, who first dressed him in 2012’s Skyfall. “The tuxedo is probably the most iconic look in James Bond’s wardrobe”, Larlarb agrees, “So for No Time To Die I revisited the evening dresses that every Bond had worn in all the previous films, and then I specifically paid particular attention to what Daniel had worn in the films he had made”.

Must See Why: No Time To Die is the 25th Bond film, but it also represents the final chapter of the Daniel Craig era and is an intensely personal story.

credit image by Press Office – EON Productions and Metro Goldwyn Mayer Studios film – photo by Nicola Dove © 2020 DANJAQ, LLC AND MGM.  ALL RIGHTS RESERVED.

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